[Minorcompositions] 25/8 Universal Prostitution & the Crisis of Labor
Minor Compositions
minorcompositions at gmail.com
Thu Aug 14 15:29:09 UTC 2025
*Picabia*
*Universal Prostitution & the Crisis of Labor
<https://www.facebook.com/events/1402579911023359>*
August 25th @ 7PM UK Time, online
<https://essex-university.zoom.us/j/91058123523>
Join us for a conversation with Jaleh Mansoor on the themes of her new
book Universal Prostitution and Modernist Abstraction: A Counterhistory.
In this provocative work, Mansoor offers a counternarrative of modernism
and abstraction and a rethinking of Marxist aesthetics. Drawing on
Marx’s concept of prostitution — as an allegory for modern labor — she
explores how generalized and gendered forms of work converge in modern
and contemporary art.
More on the book: “In /Universal Prostitution and Modernist Abstraction,
<https://www.dukeupress.edu/universal-prostitution-and-modernist-abstraction>/
Jaleh Mansoor provides a counternarrative of modernism and abstraction
and a reexamination of Marxist aesthetics. Mansoor draws on Marx’s
concept of prostitution—a conceptual device through which Marx
allegorized modern labor—to think about the confluences of generalized
and gendered labor in modern art. Analyzing works ranging from Édouard
Manet’s Olympia and Georges Seurat’s The Models to contemporary work by
Hito Steyerl and Hannah Black, she shows how avant-garde artists can
detect changing modes of production and capitalist and biopolitical
processes of abstraction that assign identities to subjects in the
interest of value’s impersonal circulation. She demonstrates that art
and abstraction resist modes of production and subjugation at the level
of process and form rather than through referential representation. By
studying gendered and generalized labor, abstraction, automation, and
the worker, Mansoor shifts focus away from ideology, superstructure, and
culture toward the ways art indexes crisis and transformation in the
political economic base. Ultimately, she traces the outlines of a
counterpraxis to capital while demonstrating how artworks give us a way
to see through the abstractions of everyday life.”
*Bio:* Jaleh Mansoor is Associate Professor of Art History, Visual Art,
and Theory at the University of British Columbia and author of /Marshall
Plan Modernism: Italian Postwar Abstraction and the Beginnings of
Autonomia,/ also published by Duke University Press.
Organized by Minor Compositions & COVER
This event will be edited into an episode of the Minor Compositions podcast.
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