[alt-media-res] Fw: [knowledgelab] Fw: Invitation to Submit Papers to Critical Arts

[zoe]

could be a home for some palestine stuff?
xx

----- Original Message ----- 
From: Anthony McCann 
To: anarchist.academics at lists.mutualaid.org ; knowledgelab at lists.aktivix.org ; knowledgelab-ireland 
Sent: Friday, June 22, 2007 1:03 PM
Subject: [knowledgelab] Fw: Invitation to Submit Papers to Critical Arts


Hi,

Scroll down to the last theme especially. This sounds like an opportunity for contributions ...

All the best,

Anthony


----- Forwarded Message ----
From: "Vickerstaff, Rebecca" <Rebecca.Vickerstaff at TANDF.CO.UK>
To: MECCSA at JISCMAIL.AC.UK
Sent: Friday, June 22, 2007 11:46:45 AM
Subject: Invitation to Submit Papers to Critical Arts


Critical Arts 



A Journal for South-North Cultural and Media Studies



ENOUGH IS ENOUGH



CALL FOR ESSAYS



Theme Issue: UNDER FIRE





The post-millennium world has seen a rapid escalation of violent conflicts in the Middle East, West, Central and some areas of Southern Africa, and ongoing civil wars and human rights abuses in a variety of other regions across 

the world. As a means to engage these developments, Critical Arts instituted a new Section, “Under Fire”. This is in keeping with its interpretation of cultural studies as a form of praxis, of experience, and of strategic intervention, in which individuals find themselves caught up in broader process over which they may have little or 

no control. 



The aim of this section is to invite short theorised autobiographies, authoethnographies, and dramatic narratives 

of what it is like living under fire, of the relevance of cultural studies in such circumstances, and how it could be 

deployed to challenge such conditions. (Length: anything up to 2000 words.) 



The original Call emanated from a number of unsolicited submissions we have been receiving from colleagues in 

Palestine and Zimbabwe, letters from friends in Israel, and marginalised groups in South Africa, and from 

academics whose research and work is pilloried by hostile authorities. The exigencies of being under fire make it 

hard to find the discursive space in which participants can catch enough breath to speak the truths of their own 

participation: 



· When does a culture of resistance lose focus, becoming a culture of violence as an end in itself? 

· At what point can one recognize when legitimate defence against violence has suddenly become 

indistinguishable from the Warsaw Ghetto? 

· How can we turn war-talk into justice-talk, without provoking war-mongers to renewed efforts? 

· In a world with a global view of even the most local eruption of violence, how can those under fire on 

opposite sides of the street, the valley, the river, or the sand dune find enough space to escape the 

solidarities of occupation, of resistance, and develop a language of restitution, restoration, and 

reformation, in the face of corporate and state reaction? 

· Closer to our sites of research, when does academic managerialism, burocratization of research become 

offensive, anti-humanist and self-destructive? The academic enterprise is under fire itself, as are many 

employed within it. 



“Under Fire” hopes to become such a space, and we do not expect to define what will make submissions 

acceptable or not. The object is for those who have had enough, to speak in the ways they believe those across 

the camp or the river might attend to them. 



The “Under Fire” submissions should reflect not just the pressures of a personal involvement within a context of 

oppression, occupation, or resistance; it should carry a clear indication of just how this involvement tests the 

cultural studies tradition. In this “test” the writers’ experience must draw not only on the cultural studies 

method of examining texts and contexts, but should also use the writer’s own context as the critical touchstone for 

pushing the cultural studies envelope. 



E-mail your narratives to: Keyan G Tomaselli, Editor at tomasell at nu.ac.za





For more information about submitting to the journal, please visit the Routledge homepage:

www.informaworld.com/rcrc



Early back copies are available at: http://digital.lib.msu.edu/projects/africanjournals/



Critical Arts Projects: http://www.ukzn.ac.za/ccms/publications/criticalarts/criticalarts_default.asp



Subscriptions:

Write to Andrea Delport, Subscriptions, UNISA Press: delpoa at unisa.ac.za

Fax:+ 21-12-429-3449

Critical Arts is now published by Routledge in association with UNISA Press.

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